Joan Baez's "Diamonds And Rust" is a folk classic, known for its poignant lyrics and gentle, haunting melody. The original version is largely acoustic, with a focus on clear, expressive vocals and straightforward guitar accompaniment, making it accessible for beginner guitarists.
Chord Progression & Transitions
The song uses basic open chords: Em, C, G, D, Bm, Am, Fmaj7, and B7. Most of these are beginner-friendly, though Bm and Fmaj7 might require extra practice due to partial barre shapes. Practice transitioning between Em-C-G-D, as these form the core of the verses. For the bridge, take time with Bm and Fmaj7—play them slowly at first and ensure each note rings clearly.
Strumming Pattern
A gentle folk strum works well: try a down-down-up-up-down-up pattern throughout. Keep your strumming hand relaxed, aiming for a smooth, flowing sound. For the intro and instrumental [Em] sections, you might strum once per bar or gently arpeggiate the chord for added mood.
Tips & Techniques
Keep your tempo steady, matching the song’s reflective mood. If you struggle with Bm or Fmaj7, use simplified versions or practice them separately before playing through the song. Focus on clear chord changes and let each chord ring.
Sing along if you can, as it helps with timing and brings out the emotion of the piece.
IntroEm
Verse 1Well I'll be damned, here comes yourC ghost again. But that's not unG usual.
It's just that theD moon is full, and you happened toEm call.
And here I sit, hand on theC telephone. Hearing aG voice I'd known,
A couple ofD light years ago, heading straight for aEm fall.
Verse 2As I remember your eyes were bluer thanC robin's eggs. My poetry wasG lousy you said.
Where are youD calling from? A booth in theEm midwest.
Ten years ago I bought you someC cufflinks. You brought meG something.
We both know whatD memories can bring. They bring diamonds andEm rust.
InstrumentalEm
Verse 3Well you burst on the scene already aC legend. The unwashed phenG omenon,
The originalD vagabond. You strayed into myEm arms.
And there you stayed, temporarilyC lost at sea. The Madonna wasG yours for free.
Yes the girl on theD half-shell, would keep you unEm harmed.
BridgeNow IBm see you standing with brown leaves falling around and snow in yourAm hair.
Now you'reBm smiling out the window of that crummy hotel over WashingtonAm Square.
OurC breath comes out white clouds mingles and hangs in theG air.
SpeakingFmaj7 strictly for me we both could have died then andG there.B7
Verse 4Now you're telling me, you're not nosC talgic. Then give me anotherG word for it.
You who areD so good with words, and at keeping thingsEm vague.
Because I need some of that vagueness now it's all come back tooC clearly.
Yes I loved youG dearly, and if you're offering meD diamonds and rust, I've alreadyEm paid.
OutroEm